
"Eleven percent of the world's fresh water goes to make paper," Fair says. "How wild is that?" In a waste-treatment pond at a Louisiana mill that manufactures paper towels, circles form around aerators that churn the water to speed digestion of organic byproducts. Photo retrieved from: www.smithsonian.com
“J. Henry Fair was stumped. He couldn’t figure out how to photograph whatever might be hiding behind the walls and fences of industrial plants. Then, on a cross-country flight about 15 years ago, he looked out the window and saw a series of cooling towers poking through a low-lying fog. “Just get a plane!” he recalls thinking.
Today Fair, 51, is known in ecological as well as art circles for his strangely beautiful photographs of environmental degradation, most of them made out the open windows of small airplanes at about 1,000 feet. Fair has flown over oil refineries in Texas, paper mills in Ontario, ravaged West Virginia mountaintops, the oil-slicked Gulf of Mexico and a string of factories along the lower Mississippi River known as “Cancer Alley.” He is currently photographing coal ash disposal sites, many considered highly hazardous by the Environmental Protection Agency.
Fair, who lives in New York State, consults scientists to better understand the images in his viewfinder: vast cranberry red ponds of hazardous bauxite waste spewed by aluminum smelters; kelly green pits filled with byproducts, some radioactive, from the manufacture of fertilizer. But pollution never looked so good. “To make an image that stops people it has to be something that tickles that beauty perception and makes people appreciate the aesthetics,” says Fair, who specialized in portraiture before taking to the skies.
Read more: Smithsonian










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